Philippine Theater Aesthetics, Critiques, and Personalities, the third volume in Nicanor Tiongson’s trilogy of collected theater essays, is comprised of three parts. The first, “Criteria and Considerations in the Evaluation of Philippine Theater,” consists of an essay that proposes four approaches in the analysis of theater performances, the last of which is the use of “kamalayang Pilipino na maka-TAO” as the most important criterion for evaluation; a critique of the sarsuwela Walang Sugat by Severino Reyes, using the four approaches presented in the first essay; and an initial study which tries to define what might be called the “dating” or aesthetics of Philippine theater.

1. Philippine drama ?Criticism, interpretations. 2. Theater?History?Philippines. 3. Tagalog essays.