This research draws from Salom , the longest-published Turkish Jewish newspaper since 1947, to trace the communication strategies of Salom as a form of minority media. It offers a multilayered analysis of the newspaper’s front pages and Izel Rozental’s editorial cartoon corner, “Tunelin Ucu” (End of the Tunnel). The content and historical discourse analysis of the selected number of front pages shed light on various intervention and communication strategies used by Salom during four marking periods in the history of the Turkish-Jewish minority. (Journalism/History).