When the Catholic Church realized the itching urge to inject more African culture in her Christian worship to revitalize the Liturgy and Mass in the 1960s, Mr. A.K. Younge, alias "Master Younge," in a solo effort revolutionized the Roman Catholic Church musical scene by initially replacing the "old Latin hymns" with traditional tunes accompanied by African musical instruments. As his determination persisted, he found himself in the greatest imbroglio as some church elders and musicians cast insinuations for what they believed to be anti-Christ (Catholic).