It examines how Delhi's Sultanate and Mughal architecture, dating from the twelfth to the seventeenth centuries, became modern monuments and were assimilated and ordered into public consciousness as spaces for tourism, leisure, and intellectual contemplation during the colonial and early postcolonial eras (1828–1963). It examines the resistance that challenges this ordering, rendering monuments unruly and unassimilable despite state efforts to control their narrative. This exposes the nation's contradictory claims of inclusivity while marginalizing subaltern groups.